Espectralidades textuales: un marco hauntológico para leer ficción
Contenido principal del artículo
Resumen
Partiendo del concepto derridiano de hauntología y el “giro espectral”, este artículo propone un marco de análisis hauntológico para textos literarios, especialmente para ficción. Este marco describe cinco dimensiones interrelacionadas a través de las cuales pueden examinarse los distintos elementos espectrales de la literatura: la dimensión textual, la estructural, la temática, la narrativa y la intertextual. El nivel textual se centra en aspectos microtextuales; el estructural y el temático abordan las funciones de fantasmas literales y metafóricos, así como su papel a la hora de articular cuestiones ideológicas. El nivel narrativo explora estrategias que erosionan la linealidad temporal y la autoridad narrativa. Por último, el nivel intertextual considera la relación espectral entre textos. Este marco, como estrategia crítica, arroja luz sobre la naturaleza espectral de la literatura y aborda sus tensiones, voces marginalizadas y relatos opacados.
Descargas
Detalles del artículo
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
Citas
Arias, Rosario and Pulham, Patricia, eds. (2009). Haunting and Spectrality in Neo-Victorian Fiction: Possessing the Past. Palgrave.
Bach, Rebecca Ann. (1999). “Tennis Balls: ‘Henry V’ and Testicular Masculinity, or, according to the ‘OED’ Shakespeare Doesn't Have Any Balls’”. Renaissance Drama, vol. 30, pp. 3-23.
Bal, Mieke. (1997). Narratology: Introduction to the Theory of Narrative. University of Toronto Press.
Bodnar, Judit. (2023). “The Gentrification of Chicago’s Cabrini Green and the Temporalities of Urban Change”. Unsettled Urban Space: Routines, Temporalities and Contestations, edited by Tihomir Viderman et al. Routledge, pp. 153-165.
Borges, Jorge Luis. (1944). “Pierre Menard, Autor del Quijote”. Ficciones. Emecé.
Brontë, Charlotte. (1833). “Napoleon and the Spectre”. Short Story Project, https://shortstoryproject.com/stories/napoleon-and-the-spectre/
Brontë, Charlotte. (1847). Jane Eyre. Smith, Elder, and Co.
Butler, Kristy. (2014). “Kristeva, Intertextuality, and Re-imagining ‘The Mad Woman in the Attic’”. Studies in the Literary Imagination, vol. 47, pp. 129-147.
Butterworth, Jez. (2011). Jerusalem. Theatre Communications Group.
Choudhury, Romita. (1996) “‘Is there a ghost, a zombie there?’ Postcolonial intertextuality and Jean Rhys’s Wide Sargasso Sea”. Textual Practice, vol. 10, no. 2, pp. 315-327.
Couto-Ferreira, Érica. (2021). Infestación: Una Historia cultural de las casas encantadas. Dilatando Mentes.
Coverley, Merlin. (2020). Hauntology: Ghosts of Futures Past. Oldcastle Books.
Blanco, María del Pilar and Peeren, Esther, eds. (2013). The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. Bloomsbury Publishing USA.
Derrida, Jacques. (1967). La voix et le phénomène: Introduction au problème du signe dans la phénoménologie de Husserl. PUF.
Derrida, Jacques. (1981). Dissemination. The Athlone Press.
Derrida, Jacques. (1998). Psyché: Inventions de l’autre. Vol. 1. Galilée.
Derrida, Jacques. (2005). Paper Machine. Stanford UP.
Derrida, Jacques. (2006). Specters of Marx. Routledge.
Díaz, Hernán. (2022). Trust. Riverhead Books.
Dickerson, Vanessa D. (1996). Victorian Ghosts in the Noontide: Women Writers and the Supernatural. University of Missouri Press.
Du Maurier, Daphne. (2018). Rebecca. Virago Press.
Eagleton, Terry. (2011). Literary Theory: An Introduction. John Wiley & Sons.
Empson, William. (1949). Seven Types of Ambiguity. Chatto and Windus.
Evaristo, Bernardine. (2019). Girl, Woman, Other. Penguin Books.
Fisher, Mark. (2009). Capitalist Realism: Is There No Alternative? Zero Books.
Fisher, Mark. (2012). "What Is Hauntology?". Film Quarterly, vol. 66, pp. 16-24.
Fisher, Mark. (2014). Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Zero Books.
Fisher, Mark. (2016). The Weird and the Eerie. Repeater.
Fontaine, Lillian. (2024). Postcolonial haunting-past, present, future: spectrality and intertextuality in twenty-first century Algerian francophone literature. PhD Dissertation, University of Oxford, United Kingdom.
Gordon, Avery F. (1997). Ghostly Matters: Haunting and the Sociological Imagination. University of Minnesota Press.
Hägglund, Martin. (2008). Radical Atheism: Derrida and the Time of Life. Stanford UP.
Herman, Judith. (1998). Trauma and Recovery. Basic Books.
Kirss, Tiina. (2013). “Haunted Narratives: Life Writing in an Age of Trauma”. Haunted Narratives: Life Writing in an Age of Trauma, edited by Gabriele Rippl, Philipp Schweighauser and Tiina Kirss. University of Toronto Press, pp. 21-44.
Kronick, Joseph G. (1999). Derrida and the Future of Literature: An American Odyssey. SUNY Press.
Leblond, Diane. (2020). “Visual Pragmatics of Intertextuality: Ghosts from Wonderland in Jeanette Winterson’s Gut Symmetries (1997)”. Textual Practice, vol. 34, no. 8, pp. 1309-1325.
Liggins, Emma. (2020). The Haunted House in Women’s Ghost Stories: Gender, Space and Modernity, 1850–1945. Palgrave Macmillan.
Loevlie, Elisabeth M. (2013). “Faith in the Ghosts of Literature: Poetic Hauntology in Derrida, Blanchot and Morrison’s Beloved”. Religions, vol. 4, no. 3, pp. 336-350.
Lorek-Jezińska, Edyta. (2013). Hauntology and Intertextuality in Contemporary British Drama by Women Playwrights. Nicolaus Copernicus UP.
Lown, Josh. (2025). "Spectres of Gentrification: Towards a Hauntological Framework for Exploring the Impacts of Gentrification." Urban Studies, vol. 62. no. 11, pp. 2242-2257.
McMullen, Ken. (1983). Ghost Dance. Film. Film4 Productions.
Molines-Galarza, Núria. (2025). Jacques Derrida y la traducción: nuevas perspectivas para la traductología deconstructiva. Peter Lang.
Molines-Galarza, Núria. (2026a). “Arañar una tierra de duelo y de fantasmas: el viaje hauntológico de La Chimera (2023), Alice Rohrwacher”. El deshielo de la voz, edited by Shaila García Catalán and Jéssica Izquierdo-Castillo. Tirant, pp. 101-118.
Molines-Galarza, Núria. (2026b). “The Spectral Poetics of Diana Khoi Nguyen: “Ghost Of” (2018), A Hauntological Reading”. Brumal, no. 14.
Morrison, Toni. (1983). “Recitatif”. Confirmation: An Anthology of African American Women Writers, edited by Amiri Baraka and Amina Baraka. Morrow, pp. 243-61
Ossa-Richardson, Anthony. (2019). A History of Ambiguity. Princeton UP.
Palacios Guerra, Carolina. (2024). “‘London Is the Place for Me’: Language, Community Building, and Home-Making in Sam Selvon's Moses Trilogy”. Multidisciplinary Representations of Home and Homeland in Diaspora, edited by Jean Amato and Kyunghee Pyun. Routledge, pp. 163-175.
Pederson, Joshua. (2014). “Speak, trauma: Toward a revised understanding of literary trauma theory”, Narrative, vol. 22, no. 3, pp. 333-353.
Plato. (2025). Phaedrus. Internet Classics Archive, https://classics.mit.edu/Plato/phae drus.html.
Poe, Edgar Allan. (1984). “The Cask of Amontillado”. Complete Stories and Poems of Edgar Allan Poe. Doubleday.
Propp, Vladimir. (2009). Morphology of the Folktale. University of Texas Press.
Rhys, Jean. (1966). Wide Sargasso Sea. André Deutsch.
Rodríguez Serrano, Aarón. (2019). “Spaces of Contemporary Horror: Poverty and Social Exclusion as 21st Century Spectres”. Home Cultures, vol. 16, no. 3, pp. 191-211.
Rooney, Sally. (2018). Normal People. Faber and Faber.
Selvon, Sam. (2014). The Lonely Londoners. Penguin Books.
Shakespeare, William. (2015). Henry V. Penguin Classics.
Shaw, Katy. (2018). Hauntology: The Presence of the Past in Twenty-First Century English Literature. Springer.
Smith, Zadie. (2022). “The Genius of Toni Morrison’s Only Short Story”. The New Yorker, 23 January, https://www.newyorker.com/books/page-turner/toni-morrison-recitatif-short-story-zadie-smith
Strier, Richard. (2023). “New Impressions XX: Seven Types of Ambiguity.” Essays in Criticism, vol. 73, pp. 95-120.
Tabunan, Mark Louie. (2022). “Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart”, Critique: Studies in Contemporary Fiction, vol. 64, no. 4, pp. 672-684.
Von Arnim, Elizabeth. (2025). Vera. The Gutenberg Project, https://www.gutenberg.org/cache/epub/34366/pg34366-images.html
Walpole, Horace. (2002). The Castle of Otranto. Penguin Classics.
Wolfreys, Julian. (2002). Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Macmillan Education UK.
Woolf, Virginia. (2025). Mrs. Dalloway. Harcourt, Brace & World.
Wrethed, Joakim. (2023). Gothic Hauntology: Everyday hauntings and epistemological desire. Springer Nature.