La forma-trayecto en El libro de Tamar y Tratado de arqueología peruana como un espacio de la escritura radicante: mutación poética y reflexión metapoética

Abstract

This article has as its object of study the works El libro de Tamar by Tamara Kamenszain and Tratado de arqueología peruana by Roberto Zariquiey. The aim is to unveil, in a comparative way, one of the territories of the radicant writing that inscribes these texts within a literature that goes beyond the canon. As the main point of analysis, the form-trajectory of the works is examined as poetic mutation and as metapoetic reflection, since such poetry is capable of inscribing itself in an unspecific space that constructs art to the same extent that it “distorts” art. The study is carried out based on the theoretical-literary postulates that Nicolas Bourriaud has deployed in this regard, in compulsory dialogue with the theoretical proposals on contemporary art and literature that have been developed by other experts on the subject, in order to propose a reading perspective of these works from contemporary art.